DIGITAL MUSICAL SOUND RECORDINGS

Brand Owner (click to sort) Address Description
VIRTUAL TOUR 2000 Digital Sight/Sound, Inc. 733 Washington Road Suite 212 Mt. Lebanon PA 15228 digital musical sound recordings for transmission over telecommunications lines;virtual OR 2000;
VIRTUAL TOUR 2001 Digital Sight/Sound, Inc. 733 Washington Road Suite 212 Mt. Lebanon PA 15228 digital musical sound recordings for transmission over telecommunications lines;VIRTUAL or 2001;
VIRTUAL TOUR 2002 Digital Sight/Sound, Inc. 733 Washington Road Suite 212 Mt. Lebanon PA 15228 digital musical sound recordings for transmission over telecommunications lines;VIRTUAL or 2002;
VIRTUAL TOUR 2003 Digital Sight/Sound, Inc. 733 Washington Road Suite 212 Mt. Lebanon PA 15228 digital musical sound recordings for transmission over telecommunications lines;VIRTUAL OR 2003;
VIRTUAL TOUR 98 Digital Sight/Sound, Inc. 733 Washington Road Suite 212 Mt. Lebanon PA 15228 digital musical sound recordings for transmission over telecommunications lines;VIRTUAL and 98;
VIRTUAL TOUR 99 Digital Sight/Sound, Inc. 733 Washington Road Suite 212 Mt. Lebanon PA 15228 digital musical sound recordings for transmission over telecommunications lines;VIRTUAL TOUR NINETY NINE;VIRTUAL and 99;
 

Where the owner name is not linked, that owner no longer owns the brand

    
Technical Examples
  1. A method and system is described to improve the reproduction of sound of an acoustic musical instrument. According to one embodiment, a first microphone is placed at a proximate location to the musical instrument to pick up the sound of the musical instrument. The sound as picked up by the first microphone is compared to a reference sound of the instrument (e.g., the sound of the instrument as perceived at a normal listening position). Based on this comparison, a tailor-made equalizer is designed to compensate for the differences between the sounds as picked up by the first microphone and the reference sounds of the musical instrument. Accordingly, using the tailor-made equalizer allows the reproduction of sound from the first microphone to have a quality similar to that of the reference sound of the musical instrument. In an implementation of the above system, a filter arrangement is provided having a low-pass and a high-pass filter that allows separate control of the frequency and/or gain for each filter.